refracted light

Installation and video piece complete!
Click for video: Dis p e r se

faux fall

 

..the imposter

palimpsest diptych

10/29

arts décoratifs français

@ The Metropolitan Museum of Art

it never gets old

Guggenheim

leaves

they are a changin'

train ride from upstate to nyc

critiques

Brigitta Varadi, Ireland

Roman Arevalo, Miami FL

Matthew Gualco, San Francisco CA

Louise Brooks, Brooklyn NY

Once a week we have studio visits with one another to check on each others progress, ask questions & provide feedback

piles

orange

Apparently where everything orange lives in my studio

Finally finished cutting out this piece of fabric. Not sure what its true calling is at the moment, but I have a few ideas I'm mulling over....

F.Woodman

loving hard on these photographs by Francesca Woodman, c.1976

 

Feeling some kinship with the video I did earlier this summer..

palette change

colors not typically in my studio 

have found their way in...

10/19/2012

10/17/2012

Concept Sketches

 

Fall Residency

Woodside Contemporary Artists Center

Troy, New York

My home for the next three weeks

*a quick tour

My loft

My Studio

common area upstairs

Welcome Dinner

overlooking more studios

The Pink House

process:

collect unwanted paper > break into small pieces > blend into a pulp > pour pulp into screens > allow to dry > mould dried sheets of handmade paper to chandeliers > remove dried mold shells > attach shells to create large installation

I have not properly introduced this project here but it is now a few months in and feels like the time has passed to delve deep into how it started and the beginning steps. With that said, I still want to share about the exciting steps that are now taking shape and moving forward.

If you are interested in how the project became you can read a back story about it here http://rebuild-foundation.org/blog/?p=777&utm_source=rss&utm_medium=rss&utm_campaign=setting-a-tone-on-salerno-drive

Work Space @ The Pink House

I returned from my residency to find this beautiful arrangement of paper sheets that we had made together over the last few months. It was the kids idea to hang them and it has created a new energy in the room, making it feel more like an experimental studio space.

Lots of experimentation with blending different types of paper also happened while I was away. We are only using paper that is donated from the neighborhood to recycle into this project, with the outcome being mostly varying shades of grey after blending the collected paper together.  I am still unsure about how the kids were able to achieve such incredibly vivid colors, but from what I've heard some fruit snack boxes were involved and made the paper scented! Loving these oranges ^

 

 The working "plan" for the final installation involves molding ^these donated mid century chandeliers  with the neighborhood-recycled-handmade paper. My initial draw was for the installation to live in the main narrow hallway of the house, lit from within, with a color spectrum of white to grey gradations to transition from the walls. (now with the surprise of color thinking of how to incorporate into mix)

 

I am very excited about how the chandelier molds are coming out. The next few weeks will be spent creating multiples. All ranging in size, shape, and detail. Here are a few examples of the dried shells that will be attached together to create one large cell. They are picking up the chandelier details beautifully while still maintaining a paper feel. Dusty, eerie and ghost-like.